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Barbara Hammer : ウィキペディア英語版
Barbara Hammer

Barbara Hammer (born May 15, 1939) is an American filmmaker in the genre of experimental films and a professor at the European Graduate School in Saas-Fee.〔(Barbara Hammer ) Faculty page at European Graduate School (Accessed June 2, 2010)〕 Hammer is known for creating experimental films dealing with women's issues such as gender roles, lesbian relationships and coping with aging and family.
==Biography==
Hammer was born in Hollywood, California, becoming familiar with the film industry from a young age, as her grandfather worked as a cook for the American film director D.W. Griffith.〔DiFeliciantonio, Tina. "Barbara Hammer." ''Bomb'' 43 (Spring 1993).〕 She is a graduate of the University of California at Los Angeles with a bachelor's degree in psychology. She also holds two master's degrees from San Francisco State University, in English literature and film. She took postgraduate classes in the field of digital media. In 2013, she was a Guggenheim Fellow.〔John Simon Guggenheim Memorial Foundation Fellowshttp://www.gf.org/fellows/17405-barbara-hammer.〕
In her early thirties, Hammer was married and teaching at a community college in Santa Rosa, California. Around this time she came out as a lesbian, after talking with another student in a feminist group. After leaving her marriage, she "took off on a motorcycle with a Super-8 camera" 〔 and shot some of the first lesbian-made films in history, including ''Dyketactics'' (1974) and ''Women I Love'' (1976).
She received the first Shirley Clarke Avant-Garde Filmmaker Award in October 2006, the Women In Film Award from the St. Louis International Film Festival in 2006, and in 2009 Hammer received the Teddy Award for the best short film for her film 'A Horse Is Not A Metaphor' at The International Berlin Film Festival.〔
There have been two "re-makes" or "re-interpretations" of Hammer's film ''Dyketactics'':
# ''Untitled ( Dyketatics Revisited)'' (Liz Rosenfeld, 2005)
# ''Fagtactics'' (Scott Berry, 2002)
In 2010, Hammer published her autobiography, ''HAMMER! Making Movies Out of Sex and Life'', which addresses her personal history and her philosophies on art.

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